Saturday, December 11, 2010

Coro Jewellery Broach Value

NAKED AND ILLUSTRATION COURSE - Lesson 6 - 10/12/2010


DETAILS * HYPER *

Teacher

. Mauro de Luca

Material

. Pencils B/2B

. Rubber bread

Subject

. Model

Technical

First phase: represent a particular body (face, hands, feet)

Busy most of the available space on the sheet and represent the various lines of the subject chosen with regard to their geometry (curves, straight lines, spheres, cylinders, etc.).

Second step: Define the shadows

In doing so, 'you must keep in mind:

. tonal values \u200b\u200bof the various areas

. Distinction between Shadows and Shadows Bring Own

. areas completely in light. In fact, only the latter will have to be left "white", since, using the diffuse light, also the complexion of the face will have 'its tonal gradation , which will go' represented.

Friday, December 10, 2010

Online Film Mario Salieri

ARTS PAINTING COURSE - Lesson 5 - 03/12/2010

OIL PAINTING - sails and SFREGAZZI - Part

design of the course (intermediate stage)
design of the course (basic ink and light colors)

teacher's Drawing (pencil)
exercises students

TEACHER

  • Massimo Rotundo

MATERIALS

  • wood plank pre-treated with acrylic plaster
  • Brushes various
  • oil paints
  • linseed oil (diluent)
  • White Spirit (Cleaning brush)
  • cloth or paper

SUBJECT

  • design of the teacher or pleasure

TECHNICAL

  • washes and sfregazzi on smooth surface (paint "fat over fat")
  1. Trace on board using carbon paper or graphite paper a drawing done in pencil on paper or draw directly on the table
  2. Go over the lines and shadows of the drawing with a brush thin and black as if you were "inking"
  3. Velature: preparing a base "transparent" spreading the ink color and shading, draw the other colors always in a transparent manner (glazing), or in a that does not just cover the one below and proceed with veils covering more or less after the previous color is totally or partially dried
  4. Sfracazzi (rubbing), where it is considered appropriate (for "hiding" the strokes ) apply the color is still wet with soft cloth or paper to mix and blend colors and create effects.

REFERENCES

  • Gianluca Corona